Consolation of PhilosophyAnicius Manlius Severinus Boethius


Consolation of Philosophy
Consolation of Philosophy (Latin: Consolatio Philosophiae) is a philosophical work by Boethius written in about the year 524 AD. It has been described as the single most important and influential work in the West in medieval and early Renaissance Christianity, and is also the last great work that can be called Classical.
Consolation of Philosophy was written during Boethius' one year imprisonment while awaiting trial, and eventual horrific execution, for the crime of treason by Ostrogothic King Theodoric the Great. Boethius was at the very heights of power in Rome and was brought down by treachery. It was from this experience he was inspired to write a philosophical book from prison reflecting on how a lord's favor could change so quickly and why friends would turn against him. It has been described as “by far the most interesting example of prison literature the world has ever seen.”
The Consolation of Philosophy stands, by its note of fatalism and its affinities with the Christian doctrine of humility, midway between the heathen philosophy of Seneca the Younger and the later Christian philosophy of consolation represented by Thomas Aquinas.
The book is heavily influenced by Plato and his dialogues (as was Boethius himself). (Summary from Wikipedia)
Audiolibros
41 capítulos
5 h 13 min
- 1 Preface & Proem7:21
- 2 Bk1: Song I: Boethius' Complaint, and section I4:58
- 3 Bk1: Song II: His Depondency, and section II2:53
- 4 Bk 1: Song III: The Mists Dispelled, and section III4:08
- 5 Bk 1: Song IV: Nothing Can Subdue Virtue, and section IV16:21
- 6 Bk 1: Song V: Boethius' Prayer, and section V6:26
- 7 Bk 1: Song VI: All Things Have Their Needful Order, and section VI5:53
- 8 Bk 1: Song VII: The Perturbations of Passion1:23
- 9 Bk 2: Section I, and Song I: Fortune's Malice6:18
- 10 Bk 2: Section II, and Song II: Man's Covetousness5:15
- 11 Bk 2: Section III, and Song III: All Passes5:41
- 12 Bk 2: Section IV, and Song IV: The Golden Mean8:25
- 13 Bk 2: Section V, and Song V: The Former Age11:34
- 14 Bk 2: Section VI, and Song VI: Nero's Infamy6:51
- 15 Bk 2: Section VII, and Song VII: Glory May Not Last7:09
- 16 Bk 2: Section VIII, and Song VIII: Love Is Lord of All3:40
- 17 Bk 3: Section I, and Song I: The Thorns of Error2:43
- 18 Bk 3: Section II, and Song II: The Bent of Nature9:19
- 19 Bk 3: Section III, and Song III: The Insatiableness of Avarice5:21
- 20 Bk 3: Section IV, and Song IV: Disgrace of Honours Conferred by a Tyrant4:28
- 21 Bk 3: Section V, and Song V: Self-Mastery3:47
- 22 Bk 3: Section VI, and Song VI: True Nobility3:15
- 23 Bk 3: Section VII, and Song VII: Pleasure's Sting2:27
- 24 Bk 3: Section VIII, and Song VIII: Human Folly5:05
- 25 Bk 3: Section IX, and Song IX: Invocation12:07
- 26 Bk 3: Section X, and Song X: The True Light13:43
- 27 Bk 3: Section XI, and Song XI: Reminiscence9:56
- 28 Bk 3: Section XII, and Song XII: Orpheus and Eurydice12:37
- 29 Bk 4: Section I, and Song I: The Soul's Flight5:52
- 30 Bk 4: Section II, and Song II: The Bondage of Passion10:49
- 31 Bk 4: Section III, and Song III: Circe's Cup8:29
- 32 Bk 4: Section IV, and Song IV: The Unreasonableness of Hatred14:01
- 33 Bk 4: Section V, and Song V: Wonder and Ignorance4:05
- 34 Bk 4: Section VI, and Song VI: The Universal Aim21:02
- 35 Bk 4: Section VII, and Song VII: The Hero's Path5:21
- 36 Bk 5: Section I, and Song I: Chance7:21
- 37 Bk 5: Section II, and Song II: The True Sun3:12
- 38 Bk 5: Section III, and Song III: Truth's Paradoxes11:04
- 39 Bk 5: Section IV, and Song IV: A Psychological Fallacy10:49
- 40 Bk 5: Section V, and Song V: The Upward Look6:20
- 41 Bk 5: Section VI & Epilogue15:35